Archives For Cause A Scene

rubblebucket

In anticipation of the long awaited “Return of Communion” show on October 10th at the Mercy Lounge and The High Watt, we are highlighting each artist on the stellar bill right here at causeascenemusic.com. Today we are featuring the headlining act, Rubblebucket. Over the last four years, this eight-piece outfit has been stirring up the indie scene far beyond the confines of their home base in Brooklyn, NY, cultivating a sound that blurs genre lines with a unique mashup of horns, synth, catchy guitar riffs and multi-part harmonies.

The 2011 release of their full-length album, Omega La La, led to large increase in exposure nationwide and attention from the likes of Rollingstone, Spin, Paste and the Wall Street Journal. This personal milestone led to an increase in touring in 2012, which included multiple festival stops as well as an appearance on Jimmy Kimmel Live. The band also released their follow-up EP, Oversaturated, in late 2012.

Coming off a heavy year of touring, Rubblebucket has spent the better part of this year on hiatus from touring full time, focusing their efforts on their full-length writing process and pinpointing the future direction of the band. Their new EP, Save Charlie, is the result of this past year’s labor and dropped officially yesterday, October 1st. The release of Save Charlie also marks the end of the band’s break in touring, as they embark on an extensive 28 date, nation-wide tour, that began yesterday, alongside the album’s release, and runs through early December. We here at CAS are more than thrilled that the Communion show here in Nashville is one of the first stops on the long list of cities on their two-month tour schedule, and can’t wait to see these guys blow the roof off Cannery Row.

Save Charlie is now available on the band’s website, iTunes and Spotify.

Fun Fact: The track list on Save Charlie includes a remix of the title track by Big Black Delta, whom we featured right here at causeascenemusic.com just this past summer.

Christian Lerchenfeld

Communion US October 2013 10 TN

My story and the story of Cause A Scene over the last year and a half would be incomplete without telling the story of Communion Records. Founded several years ago by Ben Lovett of Mumford & Sons, Kevin Jones of Bear’s Den (if you don’t know that band, you will soon) and legendary producer Ian Grimble (Manic Street Preachers, Travis). With a track record of launching buzz worthy artists like Gotye, Ben Howard, Michael Kiwanuka, Daughter and The Staves into the music world, they’ve developed quite the track record for cultivating burgeoning talent around the globe.

It’s no wonder that with their folk beginnings in the UK that I was naturally drawn to them and their roster of artists. Somehow this record label just got me, and through their artists, their compilation albums and especially their monthly showcases in cities all over the world, they never let me down in allowing me the opportunity to discover phenomenal new musical talent. (See: Vance Joy, The Trouble With Templeton, Half Moon Run, etc.)

Flash back to a mere 18 months ago and here is the scene, one which, if you know me, you’ve likely heard some version of this story. It’s March 6, 2012, and I’m sitting along the stage just a handful of rows back for Mumford & Sons’ first-of-three sold out nights at the iconic Ryman Auditorium. The night will be forever remembered by many in attendance as the night Marcus got sick and had to leave the stage three quarters through the set. For me, however, the night will always be remembered as the night I said to myself: “I want to work with the bands that play on that stage. I am going to do music for the rest of my life.” At that point I had curated a grand total of two house shows and racked up maybe ten blog posts on artists, but I felt that the music world is where I was supposed to be. Thus Cause A Scene was formally born, based largely on the Communion model of finding developing talent before they become the “next big thing” and helping them get to that point.

Flash forward a year exactly, to March 6, 2013, and I am sitting in my boss’s office hearing him say these words: “There is an opportunity that I’d like to present you with if you’re interested. I understand Cause A Scene is growing and you’d like to spend more time focusing on that, but you should know that Ben Lovett and I have talked about you and Cause A Scene and he’s interested in bringing you on board with Communion in Nashville.” I was shocked. I was ecstatic. Most of all, I just felt blessed. Six months later I had the opportunity to actually meet one of my heroes at a Mumford & Sons show in Birmingham (pictured below). And that brings us to where we’re at now, with Communion’s relaunch in Nashville set to happen in a mere nine days on October 10 at Mercy Lounge and High Watt.

Larry and Ben Lovett

 

As the Nashville Scene said, Communion is “intended to profoundly alter the rhythm of a live show, giving it a more youthful and current feel by making it more, well, communal.” It’s been called by NME as “one of the greatest indie success stories of recent years.” Over the last year in Nashville, Communion has hosted some of the best new bands in the country, including Shovels & Rope, Michael Kiwanuka, Night Beds, Alanna Royale, St. Paul & The Broken Bones, Escondido, Holly Williams, John Fullbright and many more.

Next Thursday night, we (Communion) are pleased to be presenting Rubblebucket, Roadkill Ghost Choir, and Willy Mason, along with Yacht Club DJs, T. Hardy Morris, Cory Branan and Shonna Tucker & Eye Candy. The bands will be split between Mercy Lounge and High Watt with local artisans setting up pop-up stores in between. Our dear friends at Grimey’s, Nisolo, and Red Earth Trading Company will be joining us for the night to create a true community vibe.

Over the next several days, Cause A Scene will be highlighting each of the artists performing at the Communion relaunch, starting with Rubblebucket tomorrow. I hope you will take the time to check out each artist and join us next Thursday night for what promises to be a special night as we work to make the live music experience something even more special and community-oriented. Tickets for the show can be purchased HERE for $12 in advance and $15 the day of the show. More information can be found on the Mercy Lounge website, and to get a deeper sense of what Communion is all about, check out the video from our US launch last year below and the playlist of artists performing at next week’s show below.

– Larry Kloess 

Static_Jacks_0001

The Static Jacks have a penchant for turning pop-punk on its head.  Vocalist Ian Devaney immediately sets the band apart from their colorful contemporaries with a deep croon evocative of Morrissey and James Kerr.  After extensive US and European touring and two formative releases, the New Jersey natives have tightened the screws on their garage past and are poised for broader appeal with In Blue (Sept 30 via Old Friends).

The new single Wallflowers is power pop at Weezer levels.  Producer-mixer wiz Andrew Maury (RAC, Ra Ra Riot) expands and collapses the Jacks’ fever pitch performance with supreme dexterity, adorning the familiar progression with searing guitars, dark resonance, and subtle backbeats.

The accompanying music video is the stuff of golden MTV yesteryears, bringing the bands’ late century inclinations to life in an ode to Weird Science. 

In Blue is available for pre-order via the band’s website and digitally through iTunes.

– Whitaker Elledge

The Static Jacks- ‘Wallflowers’

CAS September 28 - Jenny & Tyler

Leave your Saturday evening open for another exceptional Cause A Scene lineup at the Edgehill Cafe. This being our second show at Edgehill this month, it is clear that the venue provides the optimal atmosphere for enjoying music in it’s rawest form. This Saturday we are bringing you four acoustic acts, all of which are Nashville natives.

Headlining the evening is the husband and wife, folk-pop duo Jenny & Tyler. The duo utilize acoustic guitar, mandolin and the kick-drum of an old suitcase to generate catchy melodies that are anchored by thoughtful lyricism that draws on the many twists and turns of life. Their sound is reminiscent of contemporary folk acts such as Mumford and Sons, Nickel Creek and The Civil Wars. Jenny & Tyler’s first album Faint Not, released in 2010, caught the attention of notable artists Mac Powell of Third Day and Sara Groves and lead way to a wealth of opportunity which included months of touring. While enlightening and satisfying, this busy period of time left the duo emotionally and spiritually exhausted. This in turn led to a brief hiatus of touring and a period of reflection, eventually inspiring their most recent full-length album, Open Your Doors, which released in 2012. Jenny & Tyler have spent the last year writing and touring, while also working on passion projects such as their cover of Simon & Garfunkel’s “The Sound of Silence,” a charitable single release in support of International Justice Mission, a non-profit organization dedicated to ending human-trafficking throughout the world.

Also taking the stage on Saturday evening will be singer-songwriter Jake Ousley. Ousley never intended to be a professional musician and performer. He got his start as a tour manager for Nashville artists Dave Barnes and Matt Wertz, whom he met in his time spent as a student at Belmont. In his many months on the road, Ousley sought solace in his music and songwriting. What began as merely a personal outlet, eventually led to more serious endeavors when he left the touring life and Nashville to take a youth ministry job in Michigan. Despite the changes, one thing remained constant and eventually led Ousley back to Nashville, his music. Upon his return he began to focus on his passion for music in a more professional manner, releasing his six track EP Times Like These in 2010 and has spent the time since developing a loyal fan base.

Also on the evenings bill is another duo, Youngest Daughter. Comprised of musicians Beta Pop and Anna Flautt, this twosome seek inspiration in the vintage eras of folk and R&B, while infusing secular pop, resulting in an identity that is unique and rich in musical character. Youngest Daughter released their EP Bones earlier this year. It is a four track compilation of songs that contain a sound and spirit that are a near perfect for the house show environment, making this duo just the right fit for this CAS bill.

Completing a lineup that is sure to make for a memorable night of good listening is singer-songwriter Shaylee Simeone. With a sound rooted in the genre of Christian folk, Simeone, originally from Dallas, TX, now resides in Nashville where she is currently pursuing her passion in music. Simeone released her five song EP Strange Bird earlier this year.

Don’t miss out on an evening full of raw and originally music, like only Cause A Scene can deliver. Doors open at 7:00 PM  at Edgehill Cafe, located at 1201 Villa Place in Edgehill. The music will start at 7:30 PM. General admission tickets will be $10, but for only $15 more your can upgrade to VIP and enjoy the evening’s music with a three course meal prepared by Edgehill Cafe (see menu below). Tickets can be purchased here in advance.

Saturday Night’s Menu:

1st Course: Butternut Squash Soup drizzled with creme fraiche and bacon .

Main course: Blacked pork loin, herbed polenta, wilted greens with a honey bourbon reduction.

Dessert: Pumpkin Cheese Cake Mousse with a graham cracker crumble.

 

 

Daily Discovery: Fever Fever

Cause A Scene —  September 25, 2013 — 1 Comment

fever fever

Established in 2005 and hailing from Columbus, Ohio, Fever Fever is one group that I find frequenting all of my current fall playlists. Self-described as an ambient indie rock outfit, Fever Fever has a sound similar to that of Young the Giant, Local Natives, and Fleet Foxes. With such a wide range of comparisons offered, Vocalist Andrew Murfin works alongside the other mega-talented guys in Fever Fever to deliver a dynamic range of sound that I and many others can’t seem to get enough of. Their sound, complete with a diverse range of harmonies and worldly melodies, has definitely evolved from what they started out with. Guitarist Wes Black shared, “We started playing together in high school and it was a very classic rock inspired sound, complete with lots of guitar solos. After a couple of years we turned into more of a dance-rock band; it was heavily disco inspired, believe it or not. We spent our off-days scouring thrift stores for polyester suits and whatnot. We mostly blame the bassist of OkGo for those days.” No offense intended to Tim Nordwind.

Lovequest, released in 2009, was the start of their current sound. According to Zach Smith of the Examiner, these tracks can best be described as the “soundtrack to an epic quest,” that listening to it would make you want to “drive out to the woods, strap on a loin cloth, and run as fast as you can.” Sounds perfect, right?

Trust us when we say to go on and give Fever Fever a listen. Their most recent acoustic EP Native Color is currently available for a free download on NoiseTrade, along with their 2012 5-track EP Kingdom and the previously mentioned Lovequest on iTunes. If you like what you hear, be sure to check out their Northeastern tour schedule on Facebook and give them a like while you’re there. Fever Fever told us, “Our next EP, slated for release this November with Slospeak Records has elements of Phoenix, Empire of the Sun, Matisyahu and Coldplay; you’re really going to be impressed I think!”

Bailey Basham

Fever Fever- ‘Beautiful Dream’
Beautiful Dream (Single) by feverfever