Archives For Album Reviews

The CO

LarryKloess —  March 1, 2013 — Leave a comment

TheCOPromo

If you listen to The CO’s second and most recent full-length album, Keep It Together, you may feel yourself being rapidly sucked into your car stereo by the pulsing beat that jump starts the opening track, “Frequency.” Don’t worry. This is a good thing, because The CO is nothing short of awesome! The dramatic thumping beat is quickly accompanied by the soft, yet powerful and distinctive vocals of front man Colin Brace and the song swiftly culminates to an anthemic chorus that is driven by drummer Nate Fleming’s rhythm section and Troy Akers’ melodic keys. Together they produce a sound that resonates with the soul and remains consistent throughout the entire album without any sense of wear or tire. With an expertly polished sound that lies somewhere in the vast musical galaxy between catchy pop and edgy indie, The CO create a sound that sticks with you.

“Frequency” is perfect sample of what Keep It Together is as a whole bodied piece of work. Throughout the compellation, Brace’s vocals are soulful and tender and helm a sound that consistently tows the line between emotive ballad and catchy, head nod inducing choruses, often blending the two seamlessly from one song to the next creating a fluidity and cohesiveness that is seldom found even in some of the most seasoned artist’s work.

The collaborative approach that the band takes to songwriting is a large contributing factor to The CO’s diverse sound and also yields each songs lyrical depth and emotional variance. Each song is product of an exposed vulnerability, from the hopeful and inspiring title track “Keep It Together,” to the deep and introspective “How To Say Goodbye.”  It is quickly evident to anyone who may choose to listen, that this is what The CO is all about. It’s not just the fantastic production on the album, but the soul of each song that sets them apart.

I was fortunate enough to experience this first hand a couple of weeks ago at one of Cause A Scene’s most recent house shows. It was my first time seeing the band live, and it also happened to be my first time hearing the band at all, and that was what stuck with me. Sure, I was struck by Brace’s vocals and Akers’ soaring harmonies, as well as every other aspect that makes them a pleasure to listen to. However, there was something else that couldn’t be put into words, something that resonated on a personal level. At first, I thought it was due to the stripped down semi-unplugged set and the intimate atmosphere of a living room house show, but it wasn’t. That personal connection was just as apparent plugged-in on the album. That is what makes a band great. The ability to connect with listeners, no matter the medium. And that is exactly what The CO does.

- Christian Lerchenfeld

Drew Holcomb

One of my favorite things about living in Nashville is hearing so many amazing artists making great music and thinking, “just wait til the rest of the world hears this”. For those of us here in Nashville who are fans of Drew Holcomb & The Neighbors, we’ve been waiting a long time. With Chasing Someday, that breakthrough began to happen. Last Tuesday, that it hit like a whirlwind as the band’s newest effort Good Light, found it’s way into the iTunes Top 10.

Good Light is the record we’ve always wanted from Drew and his neighborly posse. Sonically, they’ve departed from the big production of Chasing Someday to a more sparse sound. Bluesy guitar, pedal steel, and melodic piano parts blend together nicely. Embracing this Americana/alt-country vibe leaves so much more room for Drew and Ellie’s vocal chemistry, which, if you’ve seen them live, you know that’s an amazing thing!

More importantly though, it draws your attention to the songwriting. The Holcombs have always been gifted at writing hopeful songs. In Good Light, it seems that they’ve mastered that, with songs that are so very true to the human experience, but taking that pain and sorrow and creating a place where light can seep through the cracks. “Is it possible to be happy and be human?” Holcomb asks, and then immediately follows with “certainly, but not without the pain”. It’s this unromanticized optimism and dreaming that makes this record so inspiring. Yes, there will be hardship, yes there will be sorrow, but you can still find joy within that. And coming from someone who has worked so hard to be where he is now, these songs carry a weight. They’re more than just words crafted together, and it’s spectacular.

There’s nothing better than watching good people, who make good music, succeed. It’s been fun to see these guys do that!

- Jameson Elder

Here’s a brilliant acoustic version of “Tennessee” off of ‘Good Light’. Can’t wait to see the band perform this at Bonnaroo this year!

Songbird. No other word so easily comes to mind when thinking about Rebecca Roubion. I went to look up the word itself, as if the very word didn’t provide its own meaning. The dictionary was kind enough to offer “a bird having a melodious song or call.” Too obvious. Then I stumbled upon Urban Dictionary of all places which provided this definition: “Anyone who consciously looks for the best in all people, places, and things; who has acknowledged and released the pains of their soul. And who entergetically help all others release the pain of their souls.” For Rebecca, or “Ruby” as she is affectionally known by many of her friends, this definition could not be any more spot on. It’s her conscious looking for the best in everything and everyone and in her grappling so deftly with the longings in her own soul and those so prevalent in the human condition that make her proper debut release, “Fields” so immediate, and so necessary.

The album lives up to its name of “Fields” as an escape from the normal, everyday routines that we so easily get entangled in. It’s an escape to a place where life is light, high-spirited, playful, whimsical, and dare I say frolicsome. Over the course of it’s 4 tracks, Rebecca’s personality shines through in the best ways possible, inviting the listener into her 12-minute study of love and the human condition. She will inevitably be compared to a young Sara Bareilles, Norah Jones or Regina Spektor, but her music has a more classic feel to it, reflecting her roots in Mobile and New Orleans, with her smoky/jazzy/”bayou” flair mixing with a bit of her childhood idol, Carole King. With all the comparisons, however, her voice and her music stands on its own as a beautifully unique creation.

Each track touches on a different aspect of love: either realized or hoped for, and any of them would sound right at home on the soundtrack of a popular indie romantic comedy. (Just listen to “Love Me Now” and tell us that it wouldn’t have been perfect on (500) Days of Summer). In Rebecca’s words the song is a “playful pursuit”, one lover trying to reach another. “It’s a flirty song; the very beginnings of a relationship.” Rebecca sings of her grandparent’s love in “Vacherie Girl” but puts a modern twist on it that makes it sound just as likely to be about madly-in-love newlyweds straight out of undergrad, with their clever back-and-forth (from Rebecca and the talented Steven Fiore.

“Here Lies My Pulse” is a “window into the soul” for Rebecca and is the track most likely to pull on the listener’s heartstrings with the expertly executed string arrangement buoying Rebecca’s delicate vocals. It’s a story, more than a song, that is sure to become a fan favorite as people find their own ways to identify with the lyrics. “Doorway” closes the album peering into the future with the fulfillment of a forever love. And throughout this album and true to the definition of a “songbird”, Rebecca’s music is a catharsis, allowing the listener to release their held-onto pain in order to chase after a greater joy. As Rebecca told us once, “I didn’t choose music; music chose me.” We’re really glad it did, as we get to peer into the soul of a dynamic talent and celebrate the inherent joy in each and every melody with her.

Tonight marks a special evening for us Nashvillians, as Rebecca is hosting her “Fields” EP Release at The Basement. Local favorites Carolina Story and CherryCase open  the night, beginning at 7pm for just $5. You don’t want to miss this momentous occasion. And while we’re mentioning her EP release, we be remiss if we didn’t mention this little fact: Once 1,000 copies of “Fields” are purchased, Rebecca will release the equally remarkable sister EP, “Forests”. It’s a breathtakingly exquisite album that needs to be heard. So let’s help her get to 1,000 by purchasing on Bandcamp, Amazon, or directly from Rebecca’s website.

- Larry Kloess